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JOHN'S LATEST BOOK /DVD SET
 
guitar   JOHN STOWELL GUITAR MASTERY

The purpose of Jazz Mastery is to give the serious student an entry into the creative process as quickly as possible. Presented here is the necessary information, stated clearly and simply as possible, in the hope that motivation and inspiration will soon follow on the heels of comprehension. The responsibility of a teacher lies in getting students excited, as well as presenting the theory to them in an easily assimilated form. Jazz Mastery will certainly serve up equal portions of the requisite information and inspiration. Companion DVD included; all in standard notation.

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INTERACTIVE CD-ROM SOFTWARE
 
Modern Chord Melody Image   JOHN STOWELL MODERN CHORD MELODY

Jazz chord melody may very well be the most challenging of all guitar styles to truly master. Players must develop right-hand thumb and finger independence, a robust vocabulary of jazz voicings, a strong sense of melody and an arranger’s feel for composition. And these are just the fundamentals. Once you have the 'easy' stuff down, it’s all about groove, arrangement, performance and improvisation in real time, often as a soloist.

Modern Chord Melody reveals Stowell's original approach and raises the bar for lucid, insightful instruction for jazz chord melody and improvisation.

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CLINIC APPEARANCES

John Stowell is an in-demand clinician as a jazz guitarist. He has taught internationally  since the late 1970’s, frequently  doing short residencies. In addition to being a virtuoso soloist, he has been called an inspiration to students at every level of musical development because of his wonderful ability to translate complicated theory into meaningful insights and creative applications. He is known for his pragmatic, intuitive teaching style that involves his students and helps them find their own voices in the music. John is  able to speak with authority about the music business as well as a result of his long tenure as a working and touring player.

The purpose of my clinics is to provide insights into both the technical and creative processes for both the student musicians and the serious listener. An informal performance by me is followed by an open-ended question and answer session covering topics ranging from the nature of improvisation and harmony to elements of the music business and self-promotion. In a master class setting, specific demonstrations of scales, substitutions, chord construction and embellishment will also be addressed. Students are also encouraged to play with me and in their own ensembles. Constructive evaluations and critiques will follow.


CLINICS HAVE INCLUDED::
International Association of Jazz Educators,
New Orleans, LA, and Albuquerque, NM

Musician's Institute,
Los Angeles, CA

Dick Grove School,
Los Angeles, CA

Berklee School of Music,
Boston, MA

Manhattan School of Music,
 New York, NY

Lionel Hampton School of Music,
Moscow, ID

University of North Texas,
Denton, TX

Escuela Para La Formacion Integral De Musicos,
Buenos Aires, Argentina
University of Utah,
Salt Lake City, UT

BMI Arranger's Workshop  with Bob Brookmeyer, and Manny Albam,
New York, NY

Stanford Jazz Workshop,
Stanford University, CA

University of Southern California,
Los Angeles, CA

National Guitar Summer Workshop,
Los Angeles, CA

Bud Shank's Pt. Townsend Clinic/Festival,
Pt. Townsend, WA

Institut Musik Daya,
Jakarta, Indonesia

And dozens of others in the USA, Canada, Asia and South America